From The Archives: Memories of Hestercombe

3 months ago


Taunton, United Kingdom Hestercombe Gardens Full time

**MEMORIES OF HESTERCOMBE: THE 1873-77 REMODELLING OF HESTERCOMBE HOUSE**:
The moulded stone arch that frames the east entrance to the Gallery Shop, originally the Great Hall, probably formed part of the rear wall of the original, early medieval house at Hestercombe. By the late 17th century the increasingly substantial residence of the Warre family contained 27 hearths, bringing about a levy of 27/- for a half-year's hearth tax in 1664-65, the second largest total in the county. Enlarged again by Sir Francis Warre (1659-1718), probably in the 1680s to designs by William Taylor, a London country house architect who was then much in demand in Somerset - he worked at Orchard Portman, Taunton (Sir William Portman MP), Halswell, Goathurst (Sir Halswell Tynte) and Chipley Park, Wellington (Edward Clarke MP) amongst others - Hestercombe House was eventually recorded in a large oil painting of 1700, now lost. A drawing made from the original painting, which hung in the Great Hall for generations, shows a medieval house on the left and an early classical front to what is now the west block. Projecting from its centre is a two storey porch with balustraded balcony, the entrance door below set in a concave niche reminiscent of William Taylor’s work at Halswell. The House itself is approached through an enclosed gated 'Green Court' before which lie three buildings: a thatched Elizabethan dovecote; an orangery/greenhouse built c.1683 by Sir Francis Warre (now the Bampfylde Hall); and the Warre family chapel, demolished 1766.

Sir Francis Warre continued to improve Hestercombe House up until his death in December 1718. In 1717 the ‘Old Parlour’, probably part of the medieval solar that once adjoined the south side of the Great Hall, containing the private living and sleeping quarters of Sir Francis and his ancestors, was repurposed as a dining room. Sash windows, a new floor, plaster ceiling and 160 yards of wainscoting (wood panelling) were installed, with additional payments being recorded in the spring of 1718 for fresh curtains, sconces (wall mounted candle holders), and a marble chimney surround by James Paly of Bristol.
- Fig 3 Dining Room north end 1872However, the most significant changes to be made to Hestercombe House during the 18th century were commissioned by Sir Francis’s son-in-law and successor, John Bampfylde (1691-1750). Between 1719 and 1732, at a cost in excess of £1,200 (£295,000 today), Bampfylde removed the northwest wing and part of the south annex and renewed the west block in the Palladian manner. A classical ordering of sash windows, diorite surrounds, and neatly coursed diorite was employed and substantial payments made to William Parker, joyner (£740-07-04), Mr. Newick (£44-13-0), George Bailey (£341-04-06), and Freeman the Glazier (£69-00-00) amongst others. The reddish hard-to-work diorite stone was quarried in the valley behind the House. By the time of Bampfylde’s death on 17 September 1750 the principal rooms of the House were seventeen in number, namely: The [Great] Hall (now The Gallery Shop), The Passage, The Dining Parlour, The Great Parlour (now The Column Room), The Hall Gallery, Mr. C.W. Bampyfylde's Room, The Long Gallery, Best Room, Mrs. Bampfylde's Room, Mrs. Bampfylde's Dressing Room, Mrs Bampfylde's Closet, Mr. Bampfylde's Dressing Room, Mrs Pollard's Room, Miss Bampfylde's Room, Captain Malet's Room, Beer Cellar and Ale Cellar. ‘Mrs. Bampfylde’ was Margaret Warre (1694-1758), only daughter and heir of Sir Francis Warre who married John Bampfylde, ‘Mr. Bampfylde’, of Warleigh, Devon on 18 October 1718 in the Warre family chapel. ‘Miss Bampfylde’ was Frances Bampfylde (1723-56), second daughter of John and Margaret Bampfylde and ‘Captain Malet’ was Captain John Malet of the Royal Navy, Margaret Warre’s bachelor cousin. Mrs. Pollard was probably a servant (housekeeper?).**THE INTERIOR ARRANGEMENTS,**

Being in every way suited to the requirements of a large establishment, are as follows, viz:

- Entrance Hall_, with vaulted roof, 43 feet 6 inches by 21 feet 6 inches, and Music Gallery at end.
- Drawing Room_, 21 feet 3 inches by 15 feet 9 inches, and 13 feet 9 inches high (exclusive of Bay Window), with inlaid Marble Chimney Piece, and Stencilled Walls.
- Dining Room_, 30 feet 6 inches by 22 feet, and 13 feet 9 inches high, with Polished Oak Floor, Panelled Walls and Massive Oak Moulding to match, and Marble Chimney Piece.
- Study_, 19 feet 8 inches by 15 feet 8 inches, with Oak Floor and Marble Mantel Piece, large Recess and Passage leading to small Room, fitted with shelves and pigeon-holes for papers.
- Morning Drawing Room_, 25 feet 6 inches by 17 feet 4 inches, with richly embossed Ceiling.
- Ante-Room_ adjoining, and small Store Room.
- Back-Hall and Vestibule_, w.c. and Two Store Closets.

**ON THE FIRST FLOOR**
- (Approached by a broad Winding Staircase),_

Are Four Bed Rooms, of the following dimensions respectively : - 19 feet by 16



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